The Art Nouveau design style made its appearance during the last ten years of the nineteenth century. At the time Victorian design and decoration was truly excessive, and people were secretly looking for something with perhaps a little less “clutter”.

Art Nouveau design was born out of that desire to simplify things.

There was a general movement towards making rooms lighter and altogether less cluttered. This was reflected in the newly popular, paler paint colors for walls that were in strong contrast to the previously fashionable, darker shades and were seen as fresh and airy by comparison.

To provide interest, a paper or painted frieze might have been added at the ceiling line and borders above the skirting/base board were not unusual. Architectural embellishments were few. Dados diminished in popularity, but a picture rail or plate rack at approximately eye level might have been featured. Pilasters and paneling were also sometimes applied, especially if they could be employed to emphasize the vertical. Wallpapers, mostly depicting botanical themes, continued to be favored, particularly now that their cost was much reduced as a result of machine-manufacture.

Plain window and door glazing now gave way to more decorative treatments. Stained glass featuring geometric patterns or representations of botanical subjects was popular.

The latter part of the nineteenth century saw a decline in the fashion for large area rugs. These were often removed in favor of wood floors, both board and parquet, which were frequently covered with faded oriental carpets.

Art Nouveau Furniture

Plush curtain treatments and deeply buttoned upholstery were eschewed by the followers of the New Art. In their stead simpler furnishings were in evidence.

Attention was directed to the windows themselves rather than to how they were dressed. Pelmets, if they were used, were now flat and of simple design, otherwise lengths of fabric would be simply gathered and suspended from a plain wooden pole. With the emphasis on vertical lines, the curtains were frequently full length and rarely caught in a tie-back.

Furniture designs were pared down to a more basic form and were usually constructed from oak or satin-wood for a lighter look than the traditional mahogany. These items would have a simple wax finish and the grain was much in evidence. Cutouts, often in the form of a heart, inlaid work and simple carving were the principal embellishments to be seen.

Other items of art nouveau furniture, in the Mackintosh manner, were highly stylized, and chairs with their exaggerated ladder-backs were often painted black.

Lighting And Accessories

Probably the first item that springs to mind when Art Nouveau is mentioned is the Tiffany lamp. Its skilled American creator, L. C. Tiffany, who also designed whole houses (appropriately enough, for someone whose middle name was Comfort), produced some of the loveliest colored and leaded glass lamps to be seen. Although electricity became available during this period (to those who could afford it), in general the appearance of light fittings varied little from those fittings previously designed for gas.

Far fewer accessories were displayed, the emphasis being on objects made from silver, copper, ceramic, glass, bronze and pewter.

Whatever design style you are looking to incorporate into your home, check out these interior room designs tips. Whether you’re thinking along the lines of a Victorian style or just looking for some living room design ideas.

With wealth and security inevitably come a profusion of styles and an irresistible temptation to go over the top: a broad statement, but one borne out by history. In the twentieth century we have to look back no further than to the 1980s to see evidence of this. If we retreat even further - to the mid-nineteenth century - we find perhaps an even finer example - I’m talking of Victorian interior design ideas.

Victoria was on the British throne, her empire was churning along quite nicely and the rewards of the industrial revolution were being appreciated by a rapidly growing middle class. In the ‘workshop of the world’, as England was then known, fortunes were being made through trade with the colonies. Add to this newly found wealth and security, a monarch with strong feelings about home and family, and you have all the back-ground ingredients of Victorian style.

With all attention on the home, it was obvious that this was where an individual’s status could best be demonstrated to the world at large. The message was loud and clear: ‘I have arrived, I have substance and I espouse family values’ (sounds familiar?). A great surge in building and urban development ensued, much of which constitutes the English housing stock of today.

The penchant for classical styles was declining, but without any strong, new, directional fashion surfacing, the only way to look was back and to reviving previously popular interior and living room design ideas (this too has its parallel in the 1980s when shabby-chic country-house eclecticism became all the rage). Gothic, Elizabethan, oriental, Scottish baronial, Egyptian and rococo - these were among the many styles that the Victorians mixed somewhat indiscriminately. When interpreting Victorian style today, you have the choice of jumbling these various furnishing styles within one room or perhaps of concentrating on just one theme in each individual space.

Industrialization had arrived and furniture was produced en masse (but, alas, not always to the highest standard). At least this meant that furnishings cost less and were therefore available to a wider public and in greater abundance. It should be no surprise, then, that house dwellers of the time overdosed on exuberance. The Victorian home is typified by the cluttering of furnishings, layer upon layer. Why stop at one pair of curtains at a window when these can be accompanied by blinds and net drapes too? Every imaginable item was draped, trimmed and bedecked; every inch of floor space crammed with furniture and every table spilt over with memorabilia.

While the dictates of today’s decorators may be ‘Less is more’ or ‘If in doubt, leave it out’, the byword of their Victorian equivalents was ‘More is marvelous’!

Although at the beginning of this long-enduring period (1837-1901) schemes tended to be relatively light in feel, by the turn of the century they had become altogether more somber. Window treatments were designed to restrict light, the decorator’s palette took on deeper tones, furnishings became bulkier and dark woodwork dominated living room designs. Artificial lighting, despite the arrival of oil lamps followed by gas lamps, did little to brighten interiors. This all sounds rather dull until you remember that the Victorians would dress their rooms according to the season.

Come spring, many of the heavier elements would be replaced or covered by lighter-weight materials in paler colors; then the winter scheme would be re-imposed in the autumn. We adopt this arrangement for our personal clothing, so why not for our rooms?

In Victorian times there was a preciseness that we perhaps lack today with our flexible casual lifestyles. Each room had its definitive purpose and style of decoration. Libraries, drawing rooms and dining rooms tended towards the sumptuous, while upstairs was generally given a lighter, more feminine touch.

Ronky The Monster Of Lake Ronkonkoma New York

It was a Sunday in Summer of 2009 went I first saw Ronky with my own eyes. I had heard stories of Ronky here and there, They had come to me in Whispers really.The History of Ronky has been a well kept secret for Hundreds maybe Thousands of years. I had spent weeks watching this lake in Lake Ronkonkoma on Long Island in New York State. This day I was driving around going past one of the many Parks and Beaches around the lake. While I was going North on Lake Shore Road I saw something in the water out of the corner of my eye, but after weeks of watching this lake I thought it was just someone out on another blow up raft and didn’t really think much of it !

As I was passing the Dinning Hall “Windows on the Lake” there is an opening where Guests can get a good look at the lake. I looked over and I saw what I had though to be a raft a few seconds before was the creature. I though to myself this could just be another hoax! After years of searches and hunts leading to nothing but dead ends I was not going to get my hopes up to fast. I slowed down and watched as the Creature swam around the lake enjoying itself! I was a little scared but at the same time I could not stop myself from smiling thinking this was really it!

I drove around the lake following along with “Ronky” at some point I pulled into a parking lot and walked onto one of the beaches. I slowly got my Camera out fearing as soon as I went to take the picture the creature would disappear. I snapped a shot, checked it in the review mode of the Camera and I could not believe I had captured a perfect shot of the Creature that no one could dispute the authenticity of ! When I looked back at the Lake Ronky was gone.

Over the next few days I carefully started asking the locals in the area if they had ever seen something weird in the Lake? It seems that to everyone in Lake Ronkonkoma Ronky is well known. He is not a myth or urban legend here. He is just another Member of the Village! I have been told there are two Differences between Nessie in Scotland’s Loch ness and Ronky in New York’s Lake Ronkonkoma. One Ronky is real and Two Ronky is protected by the Locals and his name is not defiled for tourist money.

There are many stories of Ronky that go back Hundreds of years. The one I found most interesting was a story that happened about 15 years ago. It seems there was an expedition sent to look into and map the depths and some underwater streams under Lake Ronkonkoma. This expedition never happened. The Official Story given was the expedition ran out of Money and was going to come back when they got more funds. I was told by an old time resident that wishes her Identity to remain a secret that the real story is a group called the “Keepers of the Lake” told the expiation in no uncertain terms it would be in their best interested for them to leave and not come back!!!

The people of Lake Ronkonkoma have kept this Monster Ronky loved and Protected for many years! I respect and sympathize with them,but I have spent my adult life and most of my families fortune searching for a creature like Ronky.This is my job and I must share this with the world. I have received many threats not to print this story! I have posted it here to go out to these newsgroups if I do not reset the settings at least once a week. If you are reading this there is a good chance something has happen to me. Please do not let what I have spent my life hunting for go unheard of ! Ronky is there in that Lake!

By Lawrence Jamison http://www.lakeronkonkomacivic.org

Lawrence Jamison has been seeking out Lake Monsters for years . Lawrence Jamison love the fact that the people of Ronkonkoma have protect Ronky rather then use him for Tourism Grab a totally unique version of this article from the Uber Article Directory

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Western employers are more homogeneous in terms of variations in treatment of filipino domestic helpers and also tend to concentrate on the positive side while Chinese employers are more diversified. As a summary, filipino domestic helpers are more likely to know what Western employers are expecting of them and how they would be treated versus the Chinese employers where treatment usually vary from one employer to the other.

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